The intent is to use the on-board microphone on the old cassette recorder. A line out sends the signal to the console. The C-Clamp is used to hold down the pause button. The cassette is not actually recording. This technique is excellent on drum room, as the cassette recorder’s on-board microphone typically has a muscular built-in compressor.
This remarkable multi-channel system features illuminated channel names that are instantly updated from your DAW position. Recording clients rave about the great sound and ease of use. Made by Hear Technologies out of Huntsville Alabama. The Oddio Shop studio has a full system: a main brain and 6 individual stations. Each musician controls their own headphone mix.
Featuring the summer feel-good hit “Finger In The Air”.
By simply duplicating and offsetting tracks in Pro Tools, Sylvia explains how to create panoramic phaser effects without using plugins.
From the original Pearl/PML factory in Sweden, this remarkable condenser microphone has a specialized rectangular capsule.
Sent by the head of the record company, in regards to the album Cog “The New Normal”.
While working with Prince in Los Angeles in the early 90s, Sylvia carried a journal with her. On occasion she would sketch Prince. He would sometimes peek at the drawing and nod his approval. Above is a photo of one of Prince’s picks used in the sessions. What exactly does he mean?
With horrible costumes and even worse music, Green Jello amazingly had a hit song with their heavy metal nursery rhyme “Three Little Pigs” which Sylvia recorded and mixed. They were forced to change their name to “Green Jelly” but persevered. Recently they mixed their “Murder Train” song with Sylvia at the Oddio Shop.
Enjoy art photos of Tom Petty, Joe Satriani, Pauly Perrette, Johnny Cash, Tool, Danny Elfman, System of a Down, Econoline Crush, Spade Ghetto Destruction, Marty Stuart, Rick Rubin, Deftones, Carl Perkins, June Carter Cash, all taken by Sylvia with a polaroid camera during sessions in the 90s.
Very early in her career, Sylvia worked with a young guitar player named Kirk Hammett fresh from recording “Master of Puppets” with his band Metallica. Sylvia and Kirk co-produced an indie record for Paul Rat with a San Francisco band called the Sea Hags.
